Print-ready artwork across every format — yard signs, banners, posters, and retractables — designed for production and built for clients.
A range of client print campaigns and product categories, each designed and prepared press-ready.
Print-ready artwork across every format — designed for production, built for clients.
Working as Web Design Manager at Nutis Press, a significant part of my output was designing and producing print-ready artwork across the full range of physical formats offered through the WooCommerce storefront — from small yard signs to large-format retractable banners.
Each product type comes with its own constraints: bleed requirements, resolution minimums, safe-zone rules, and substrate considerations. Designing effectively at this level means understanding not just how something looks on screen, but how it translates to a 4-color print process on a corrugated sign blank, vinyl banner, or coated poster stock. The work below is organized by format.
Production standard: every piece prepared as a print-ready PDF to press specs — CMYK, 150dpi minimum, with bleed and crop marks.
Large-format vinyl banners for storefronts, events, and outdoor advertising. The wide 2:1 format puts a premium on bold layout decisions — dominant imagery or headline, minimal supporting text, and enough contrast to read across a parking lot.
Pull-up banners for trade shows, events, and retail environments. The vertical format and viewing distance (5–15 feet) demand a clear visual hierarchy — logo or headline at eye level, supporting content below.
Double-sided corrugated plastic yard signs — the workhorse of local campaign and real estate marketing. Designed to be readable at 20–30 feet with high contrast and bold type hierarchy.
High-distribution printed collateral — designed for fast comprehension in a single glance. Poster design rewards hierarchy discipline: one message, one action, everything else in support.
Each product type carries its own constraints — bleed, resolution, safe zones, substrate. Designing for print means knowing how the screen translates to the press.
Artwork prepared with correct die lines, bleed, and color for digital, screen, and large-format output. See the production engineering behind it in the prepress & die-line case study →
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